Throw Down Your Review (or The Banjo's from Africa?)

I really dig non-western music, from gamelan to J-pop, Irish folk-music to Siberian women's choirs. I get a large sampling of music from my local library and find the rest online and I often subject my friends to it, bobbing my head and emitting cries of joy at a particularly difficult or odd part. I've more than once been caught jamming at a red-light to traditional Tuvan throat singing.

Of course, I listen to a lot of western music as well and pay special attention to the groups that use non-western influences in their music. A favored western band that utilizes a lot of non-western musical forms and musicians is Bela Fleck and the Flecktones, so when I saw "Bela Fleck: Throw Down You Heart" show up on my Netflix queue, I knew I had to watch it. Besides, it had received the Audience Award at both South-By-Southwest and the Vancouver Film Festival, so it couldn't be a disinteresting trip into ethno-musicology set to a snore-track. So I set it up, popped some popcorn and immersed myself into the music of Africa.

This film is awesome. We join Béla Fleck on his journey to Africa to explore the little known African roots of the banjo and record an album with some seriously ripping African musicians. He travels to four African countries: Uganda, Tanzania, The Gambia, and Mali. Along the way, he works with a wide array of musicians – from local villagers who play a twelve-foot xylophone, to a family that makes and plays the akonting (thought by many to be the original banjo), to international superstars such as the Malian diva Oumou Sangare.

The music on this documentary can be stirring and joyous or somber and liltingly sad, but it's always incredibly heartfelt. Aside from learning the history of the banjo and being introduced to unfamiliar-yet-familiar instruments, like the akonting and the xhalam (an African variation on the lute), there are also plenty of familiar instruments played in unfamiliar ways, like the blisteringly fast guitar playing of Oumou Sangare from Mali. One of my favorite moments of the whole movie happens in the village of Nakisengi in Uganda, where the village musicians assemble themselves around a giant twelve-foot long xylophone that's played with a mixture of hands and wooden stick-mallets. Twenty or so musicians, six of them playing the xylophone, create a beautifully thick and rich music that Bela weaves his banjo intricately and respectfully through.

Assembling the giant xylophone

Part of what makes this documentary so moving is that Bela is not on a mission to show the citizens of Africa his (astounding) banjo chops, but to learn techniques, scales and musical motives from the musicians there and integrate them into his own playing. He's constantly seen with a pencil and staff paper, diligently transcribing anything that hits his ear. For Bela Fleck or world music fans, this film is highly recommended, and there is also a CD available from iTunes and Amazon that contains recordings done in Africa featuring the musicians and musics from the movie. It will quickly be finding it's way into my collection and perhaps yours as well.

Word to the Brett,

-Nate Bellon(bass)

Throw Down Your Heart on Amazon [ link ]

Throw Down Your Heart on IMDB [ link ]

Official Site [ link ]